Roy Lichtenstein. Ten Dollar Bill. 1956. Lithograph. 14 cm × 28.6 cm. National Gallery, Australia.

Roy Lichtenstein. Brushstrokes. 1968. Tusche and graphite on paper. 56.6cm x 76.2cm. Museum of Contemperary Art, New York City, New York, USA.

Roy Lichtenstein. Electric Cord. 1961. Painting on Canvas. Dementions unknown. Private property of Barbra Castelli.

Made in 1961, this artwork is currently held at MoMA in New York City. This oversimplified work of art represents Pop Art as well as Roy Lichtenstein because of the artist's exaggerated use of the Ben-Day dots to represent themes of nostalgia and commercialism (a heavily used theme in theme in the Pop Art time period). Inspired by an advertisement, Lichtenstein grabs influences from other artists such as Manet and Picasso, to show how the body of the average woman has changed over time.

Roy Lichtenstein. Look Mickey. 1961. Oil on Canvas. 121.9cm x 175.3cm. National Gallery of Art, Washington DC, USA.

Roy Lichtenstein. Portrait of Madame Cezanne. 1962. Magna on Canvas. 172.7 x 96.5 cm. In a Private Collection.

Roy Lichtenstein. Crying Girl. 1964. Enamel on steel. 116.8 x 116.8 cm. Milwaukee Art Museum, Milwaukee, Wisconsin, USA.

Roy Lichtenstein. Drowning Girl. 1963. Oil on canvas. 172.7 x 172.7 cm. Museum of Contemporary Art, New York, USA.

Roy Lichtenstein. Hopeless. 1963. Oil on canvas. 111.8 x 111.8 cm. Kunstmuseum Basel.

Roy Lichtenstein. Woman In Bath. 1963. Magna on canvas. 172.7 x 172.7 cm. The Thyssen-Bornemisza Collection, Madrid, Spain.

Roy Lichtenstein. Whaam!. 1963. Magna on Canvas. 172.7cm x 421.6cm. Tate Gallery, London, England, United Kingdom. This painting is very classic Lichtenstein, who was influenced heavily by comics. This piece was done to look like a comic, which its bold lines, bright colors, and a large onomatopoeia written in the middle. The subject matter, the crashing plane, may have to do with Lichtenstein's service in the army during World War 2.

Roy Lichtenstein. Sunrise. 1965. Lithograph. 18.3 х 24.2 in.

Roy Lichtenstein. Woman with Flowered Hat. 1963. Magna on canvas. 127 cm × 101.6 cm. Collection of Laurence Graff.

Roy Lichtenstein. Artist’s Studio “The Dance”. 1974. Oil and Magna on Canvas. 243.8cm x 325.1cm. Museum of Contemporary Art, New York City, New York, USA.

Roy Lichtenstein. Cubist Still Life with Lemons. 1975. 228.6 cm × 172.7 cm.

Roy Lichtenstein dabbles in the world of Expressionism here with his series of sculptures and paintings. This head is exaggerated with its protruding lips and its huge eyebrows. The use of the colors are meant to intensify the face showing emptiness. Lichtenstein purposefully went away from his normal Ben-Day dots and went with stripes to accentuate the dark lines.

Roy Lichtenstein. Bauhaus Stairway. 1988. Oil and synthetic polymer paint on canvas. 238.8 x 167.7 cm. Museum of Modern Art, New York, USA.

Roy Lichtenstein. Bedroom at Arles. 1992. Oil and magna on canvas. 320 cm × 420 cm. Fitzhugh Farm, Robert and Jane Meyerhoff Collection.

Roy Lichtenstein. Modern Head. 1974. Painted Stainless Steel. 944.9 x 589.3 x 20.3 cm. Smithsonian American Art Museum, Washington DC, USA.

Roy Lichtenstein. Times Square Mural. 1994. Porcelain enamel on a wall. 6ft x 53ft. Times Square subway station, Times Square, New York City, New York, USA.

Roy Lichtenstein. House 1. 1996. Printed Aluminium sculpture. 290 cm × 450 cm × 130 cm. National Gallery of Art Sculpture Garden, The National Gallery, Washington DC, USA. Though he is mostly known for his paintings, this large sculpture is very characteristic of Lichtenstein's classic techniques. He was known for being heavily influenced by cartoons and ads, and this influence can be seen in this piece. The whole piece has straight even lines and is painted in primary colors, like comics.